Ibanez guitar effects - Ibanez effects pedals

This standard 9-volt power adapter is designed for use with Ibanez Series pedals.

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There are autowahs, and there are autowahs, but the Tone-Lok AW7 isn't just any autowah. It's got standard wah where both the highs and lows are cut and it's got a wah setting where only the highs are cut. And it's got distortion.

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The CF7 creates shimmering soundscapes, whooshing jet plane sounds, and contemporary "Korny" churps and blurbs. The schizo "Krazy" switch lets the CF7 be a conservative Dr. Jekyll with the "normal" mode (classic chorus and flanger), or you can turn pedal into the proverbial Mr. Hydeáthe "Whack'd" mode imitates the contemporary modulation sounds used by today's phattest rock bands. It's like getting 2 pedals in one.

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Add new dimensions to your sound with the DE7 Delay/Echo pedal. Get the best of both worlds: high-tech digital sounds comparable to expensive rack units or warm vintage tape echo sounds s all with a simple flick of the switch. Time, Repeat, and Level controls help you dial in just the right amount of delay, while stereo outputs can be used for more spacious sound. With a range of 30ms to 2.6 seconds, the DE7 is the only sound solution for every playing situation.

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The most versatile Ibanez distortion ever, the DS7 is capable of producing a wide range of smooth, dynamic overdrive tones. From a subtle tonal nudge to walloping rock 'n roll crunch, the DS7 delivers days of sustain and gobs of gain.

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The first dedicated filter pedal for guitar, the LF7's voltage controlled analog high and low pass filters allow you to emulate transistor radio and megaphone type sounds. Best used at the end of a signal chain in combination with other pedals, this pedal creates wide soundscapes of far out tones that previously required a massive rack of analog electronics. The Lo Fi also performs equally well with vocals, drum machines, or in any "mixdown" context.

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The PD7 lets bass players get in on the action. Ibanez has loaded this unit with 3 pre-amp style voicings and an attack control switch that accents the amount of harmonic content. It also features Drive, Lo, Hi, and Level knobs so dialing in your sound has never been easier. Loaded with growling low-end distortion, the PD7 is an essential addition to any rock bassist's set-up.

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If you've gone through one phase after another, maybe it's time for the final phase. The PM7 Phase Modulator offers 3 types of waveforms to give you everything from classic phaser to DJ effects to toy ray gun sounds. Since good things come in 3's, the PM7 also has 3 phase stages: vintage, deep and dry, and deep pronounced. With some minor tweaking, the PM7 goes from traditional to 21st century and beyond.

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If you're looking for new tones or you're still smoldering with resentment against synth bass keyboard players who took bass player's gigs in the 80's, the SB7 is the ticket. You've got real time feel — in other words no annoying tracking errors and delays. You can even play chords. Then there's the funky auto-wah (think "Theme from Shaft"), an 80's style syth bass sound (now it's our turn to take their gigs), and a deep and heavy synth bass.

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The Smashbox is the most aggressive weapon in the Tone Lok distortion arsenal. Armed with obscene amounts of gain, tight low end, and searing highs, the Smashbox is THE heavy rock sound for the contemporary guitarist.

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Others may imitate, but no one else can duplicate the Ibanez Tubescreamer. The Tubescreamer isn't just a stompbox, it's an institution. The latest generation Tubescreamer, the TS7, is no exception. With the Tubescreamer's classic subtle-but-smooth overdrive, the TS7 expands the expressiveness of your guitar while maintaining its tonal integrity.

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There is no single stomp box more famous than the Ibanez Tube Screamer. Thanks to tubelike distortion, smooth sustain, fat tone, and acclaim by artists too numerous to mention, the Tube Screamer has been and continues to be the world's most popular solid-state overdrive. So much so that after production of the TS9 ended in 1984, used TS9s were going for as much as 4 times their original price at vintage shows a few years later.

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From the same factory as the original TS9. The same hand wired analog circuitry. The same warm Tube Screamer overdrive and sustain. The TS9DX also offers 3 new settings for increased low-end crunch: +, Hot, and Turbo, all of which maintain the original TS9 tonal integrity.

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